Productions
“I was fortunate enough to experience brilliant, meaningful, evolutionary theatre … what can only be described as a transcendent experience. Mandla and his team have created in iKrele leChiza what theatre can be and do to your soul and spirit.”
Megan Choritz for WeekendSpecial
Dates
2020 - 2024
Places performed
iKrele leChiza…the sermon, is part of a six-year research project called Re-Imagining Tragedy in Africa and the Global South (ReTAGS). The ReTAGS project’s principal investigator is Mark Fleishman and Mandla Mbothwe is a co-investigator. The production has had three iterations thus far: an initial recorded version, Sonic Passages; a Live/Digital Mutation and the live production.
It follows the narrative of two siblings, a brother and sister named Luphawo and Mesuli, who find themselves navigating a child-headed home, a current reality for many South-African children. Their parents are stuck in respective liminal spaces between life and death; their mother in an ancestral orientation room because she refused death until her body could no longer go on and their father is in a spiritual exile. He seeks ways of finding their father as well defending and restoring humanity in their home while his sister, Mesuli (wiper of tears/comforter) has to prematurely take on a maternal role in their home. Mbothwe asserts that ‘home’ in the play represents humanity, a village spirit that is currently under siege. Buyaphalala, buxhatshwe zizinja!
Mbothwe uses iKrele leChiza…the sermon to argue that humanity or the spirit of Ubuntu “bubambeke ngeyesigcawu” (hanging on by a spider’s web) has become a wound in African society and is constantly under attack. Through the production, he asks “how can you heal or tend to a wound while the wound is still being attacked?” Mbothwe draws from Iintsomi, African oral tradition of storytelling and Homer’s Odyssey terms to differentiate between the ‘good and evil’ characters in the play.
iKrele leChiza…the sermon is connected to Mbothwe’s previous productions by a through-line of engaging tragedy as catastrophic loss, namely, a mass loss of human life or ‘isivuma’kufa’ to die, so as to be reborn.
The production is inspired by Mbothwe’s desire to both retrace, remap and reconnect his work in terms of themes and aesthetics as well as investigate themes of rituals and restoration. The title in this sense is a deliberate combination of seemingly opposing words in isiXhosa; ikrele is a weapon (spear) and associated with images of fighting, defence and protection. ichiza (herb) is used for healing and restoration. One wouldn’t use a spear to collect medicinal herbs. In this way, Mbothwe emphasises the juxtaposition and comments on the growing tensions of ‘redressing and restoration’. iKrele leChiza…the sermon is Mbothwe’s “reclamation and celebration of African aesthetics whilst undermining borders (across Africa).”
